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Walasse Ting [edited by Sam Francis].
Bern, Switzerland, E.W. Kornfeld, 1964.
170 p. illus. (part. col.) 42 cm.

Book Arts Further Research

Consider searching Searchworks using some of the Library of Congress Subject Headings listed here.

Artists' books
Artists' books--19th century

Children's corner: Libri d'Artista per Bambini = Artists' Books for Children

Children's Corner Children's Corner : Libri d'Artista per Bambini = Artists' Books for Children
exhibition curated by Valerio Dehò ; authors, Valerio Dehò ... [et al.]
Mantova [Italy] : Edizioni Corraini, 2007
N7433.3 .C53 2007

Breaking the Rules : The Printed Face of the European Avant-Garde 1900-1937

Breaking the Rules Breaking the Rules : The Printed Face of the European Avant-Garde 1900-1937
edited by Stephen Bury
London : British Library, 2007
Z246 .B737 2007

Book Art Object

Book Art Object Book Art Object
editor, David Jury
Berkeley, Calif. : Codex Foundation, c2008
N7433.3 .B643 2008 F

The Russian Avant-Garde Book

The Russian Avant-Garde Book The Russian Avant-Garde book, 1910-1934
Margit Rowell and Deborah Wye
New York : Museum of Modern Art : distributed by Harry N. Abrams, 2002
N6988 .B66 R68 2002

Book Arts Focused Studies

These texts present the subject from a thematic or geographic angle and are notable for their rich bibliographies and indexing.

Breaking_the_Rules.jpg
Breaking the Rules : The Printed Face of the European Avant-Garde 1900-1937
edited by Stephen Bury
London : British Library, 2007
Z246 .B737 2007

This catalog, published on the occasion of the British Library's 2007-2008 exhibition, focuses upon the development of artists' books in the early years of the twentieth century by their most progressive proponents, the Avant-Garde. The authors argue for a natural link between the interests and tactics of the Avant-Garde (non-traditional media, democratization of art's raison d'être, internationalism) and the wide distribution of printed texts--e.g., manifestos, small-run journals, photobooks--by its members. The majority of the catalog, however, is devoted to surveying innovations in the art form and its major practitioners in a series of individual cities (all European with the exception of New York) in order to reveal concurrent commonalities and local idiosyncrasies.
Children_s_Corner.jpg
Children's Corner : libri d'artista per bambini = Artists' Books for Children
exhibition curated by Valerio Dehò ; authors, Valerio Dehò ... [et al.]
Mantova [Italy] : Edizioni Corraini, 2007
123 p. : ill. (chiefly col.) ; 24 cm
N7433.3 .C53 2007

The essays in this exhibition catalog focus upon the relative rarity of modern and contemporary artists' forays into children's book design and point toward the catalog itself as an opportunity to expand these books' reach. Essayists Annie Pissard and Giorgio Maffei both cite Bruno Munari as a guiding force; the catalog images represent his work as well as that of artists such as Annette Messager, Katsumi Komagata, Keith Haring, Alighiero Boetti, and Siona Delaunay.
No_Longer_Innocent.jpg
No Longer Innocent : Book Art in America : 1960-1980
Betty Bright
New York City : Granary Books : Distributed to the trade by D.A.P./Distributed Art Publishers, 2005
xix, 301 p., [8] p. of plates : ill. (some col.) ; 26 cm
Z1033 .F5 B75 2005

In this substantial monograph, Bright includes a substantial history of book art in Europe and America before focusing upon the decades of the 1960s and 70s in great detail. Dividing artists' books into type (fine press, deluxe, multiple, and sculptural), he traces each decade's production while punctuating the narrative with specific developments, e.g., the writings of Marshall McLuhan, the founding of New York's Center for Book Arts, the evolution of collecting in the face of more and more conceptual production, the establishment of the Visual Studies Workshop, the increasing use of the photocopier as a creative tool, and the adoption of the book as a locus for feminist artmaking. An image of American artists' book production emerges that is heterogeneous but reflective of the social climate(s) in which it developed.
Russian_Avant-Garde_Book.jpg
The Russian Avant-Garde Book
Margit Rowell and Deborah Wye
New York : Museum of Modern Art : distributed by Harry N. Abrams, 2002
304 p. : ill. (chiefly col.) ; 28 cm
N6988 .B66 R68 2002

A thorough introduction to the topic, this MoMA exhibition catalog includes images of hundreds of books, arranged chronologically (1910-24; 1916-33; 1924-34) and thematically (e.g., "Futurist Poets and Painters," "Constructivist Graphic Design," and "Photography and Photomontage"). The essays and section introductions treat Futurism, Primitivism, Seprematism, and Constructivism in turn--but all include mention of one of these books' most common features: a tendency toward collaboration among visual and textual contributors, and a resulting unity of concept.

Artist/Author: Contemporary Artists' Books

Artist/Author: Contemporary Artists' Books
Cornelia Lauf and Clive Phillpot
New York : Distributed Art Publishers : American Federation of Arts, c1998
N7433.3 .L37 1998

Artists' Books in the Modern Era 1870-2000

Artists' Books in the Modern Era 1870-2000: The Reva and David Logan Collection of Illustrated Books
Robert Flynn Johnson ; essay by Donna Stein
London : Thames & Hudson ; [San Francisco] : Fine Arts Museums of San Francisco, 2001
N7433.3 .J66 2001
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