Journal of gay and lesbian mental health

Trikone (Palo Alto Calif.)

GLQ : a journal of lesbian and gay studies

Bay area reporter : B.A.R.

Clelia D. Mosher Papers, 1886-1938

Clelia Duel Mosher, the daughter of Cornelius Duel Mosher, M.D. and Sarah Burritt Mosher, was born on December 16, 1863 in Albany, New York. She graduated from Wellesley College in 1891, and spent the next year studying at both Cornell University and the University of Wisconsin. She then attended Stanford University, receiving an A.B. in zoology in 1893 and a masters in physiology in 1894. She received her M.D. from Johns Hopkins University in 1900.

Cherríe Moraga Papers, 1970-1996

Cherríe Moraga, an award-winning playwright, poet and essayist, has received national recognition for her creative and critical writings focussing on racism and classism within the white women's movement, issues of sexuality, lesbianism and cultural and racial identity, as well as homophobia and sexism within Chicano culture. Moraga's involvements as a teacher, gay and lesbian youth advocate, editor, activist and cultural critic have served as a catalyst for her work.

Ester M. Hernandez collection

Hernandez is an artist of the first generation of Chicano and Chicana artists who participated in the Chicano art movement that began in the late 1960s as part of the Chicano civil rights movement. Her collection represents more than twenty-five years of involvement in many of the most important historical activities of this period, including the farmworkers' movement, the feminist movement, international environmental movements, and the art movement itself, including the visual, literary, and performing arts.

Laura Aguilar papers and photographs

Laura Aguilar is a photographer whose works are mostly portraits. Professor Chon Noriega of UCLA's Department of Film and Television writes that Aguilar's work documents "social groups and identities that remain invisible in mainstream culture: Latina lesbians, black couples, obese people, et al." She cooperates with her subjects so that "her work is not about power differentials between photographer and subject as is often, if implicitly, the case with...the social documentary tradition."

AIDS Posters

Spain, Gay Ephemera

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