In May, the creators of a new, unique data mining tool -- Enigma -- made a presentation to a group of Political Science Department graduate students. It would be safe to say that the demonstration generated some real interest and excitement. Based in great part on that response from students in the department, the Library has now arranged a long-term beta-test with Enigma for the entire Stanford community. The only other academic institution with this arrangement is the Harvard Business School.
[Update #1: I added links to the OnlineBooks site at UPenn for historic materials from the "United States Senate Select Committee to Study Governmental Operations With Respect to Intelligence Activities" and "United States. National Security Agency -- History." OnlineBooks site pulls together digital material from HathiTrust and Internet Archive with items in your library's catalog. Very nice indeed! Thanks John Mark Ockerbloom at UPenn for the suggestion!]
It is my pleasure to introduce Abraham Tewolde, a new intern at the Archive of Recorded Sound who is taking part in Stanford University Libraries 1st-generation summer intern program this summer. During his time here Abraham will be learning how a sound archive functions and operates, including work on finding aids, digitization, inventory control, accessioning, and research skills.
Abraham will also be a guest blogger during his time here. Please enjoy below the first of a series of posts Abraham will be offering over the summer.
Today marks 100 years to the day since the infamous first performance of Igor Stravinsky's Le Sacre du Printemps (The Rite of Spring) at the Théâtre des Champs‐Elysées in Paris on 29 May 1913. The 31-year-old composer's two-part ballet score, coupled with 24-year-old Vaclav Nijinsky's choreography, provoked a riot on the opening night that according to most accounts rendered the music inaudible for most of the performance. The protests were so loud that Ballet Russes Director, Serge Diaghilev, was supposedly forced to shout instructions to his dancers onstage while flashing the auditorium's house lights in an attempt to quell the enraged audience.